Panasonic Lumix DMC-GF2 Review

Honest review for Panasonic Lumix DMC-GF2: If you are looking for Panasonic Lumix DMC-GF2 read the full review below before buy it now myself. Make sure that Panasonic Lumix DMC-GF2 worth the price and it is the best value for money to spend.


The good bits: The Panasonic Lumix DMC-GF2 delivers excellent performance pertaining to its class, in a relatively compact, comfortable design along with a streamlined, usable touch-screen interface implementation.

The bad bits: Panasonic's JPEG processing remains subpar for this class of camera, and the GF2's inability to lock the main focus area from accidental screen presses--a flaw of all the company's touch-screen ILCs--remains an enormous point of frustration.In addition , it includes a disappointingly banal feature set, including too little manual controls during video capture. Also, an EVF costs extra,and the battery doesn't last very long.

The bottom line: Though we still really enjoy Panasonic's GF series, there are various trade-offs to take into consideration before you purchase the Panasonic Lumix DMC-GF2. Its raw-format images look perfect, but JPEG shooterslooking forbest-possible photo quality may get frustrated byimage artifacts. Although lots of photographers will appreciate its relatively compact but functional design and zippy performance--though still not for action shooting--there's nothing special about its feature set, including underpowered video capture.

There's a lot to enjoy for the Panasonic Lumix DMC-GF2 that the few, unfortunately serious, flaws with the cameraapparently loom as even larger detractions. On the upside, it preserves much ofthe truly nice design characteristics of the GF1, incorporating a really well designed touch-screen interface, and improves on that camera's already zippy performance. And if you shoot raw, the digital camera can produce some very nice images. It also suffers from two serious flaws:exactly the same poor JPEG processing engine that plagues the LX5 as well as the same tantrum-inducing inability to lock.

There's so much to enjoy about the Panasonic Lumix DMC-GF2 that the few, unfortunately serious, flaws with the cameraappear to loom as even larger detractions. On the upside, it preserves a lot of the truly nice design characteristics of the GF1, incorporating an incredibly attractive touch-screen interface, and improves on that camera's already zippy performance. If you shoot raw, the camera can produce somepleasant images.suffers fromtwo serious flaws:the same poor JPEG processing engine that plagues the LX5 and the same tantrum-inducing inability to lock the main focus area on the touch screen as on the G2 and GH2.

If you shoot raw, you will get very nice images up to ISO 800 and usable ones at ISO 1,600--the dynamic range is such that you end up getting some clipping in the shadows, but nothing unacceptable in a camera in this price range. However, I wouldn't recommend shooting JPEGs more than ISO 100 unless in bright sunlight, as well as then prepare for artifacts. The GF2 uses the same Venus FHD processing engine as the LX5, and though the photographs look better (likelydue to thebetter sensor), the JPEGs are afflicted bysimilar yellow splotches and oversharpening crunchiness. Interestingly, the GF1 posts better noise results than the GF2 up to ISO 800.You certainly get better JPEG results on macro shots and zoomed-in closeups thanyou choose to do in broad wide-angle or landscape shots.

Aside from that, it can well on the rest of the measures of quality, like color, exposure, general consistency, and sharpness across lenses. But that is a fairly  big aside.

Furthermore, it delivers solid video quality: moderately sharp with some typical edge aliasing, surprisingly good exposures even if backlit, and very little moiré or rolling-shutter wobble. The bigger trouble with video is thedearth of adjustment controls. With the exception of Defocus, it's all automatic.

The GF2 performs roughly similar to the GF1, and beats most ofits class in many respects. It will takeabout 0.9 second to power on, focus, and shoot. Focusing and shooting in good light runs a great 0.4 second,during dim lightit's anot-too-shabby 0.7 second. You typically can shoot two sequential JPEG shots in just 0.7 second, though that increases to 0.9 second for raw, and adding flash recycling time any of these cameras for continuous shooting. This isn't dSLR-like speed, however thefocus is fast enough to shoot predictably moving subjects; shooting fast or unpredictably moving ones still requires a dSLR with an optical viewfinder. And the dynamic tracking autofocus product is pretty good--better at locking and holding focus than Olympus' for shooting video.

Though not assmall as Sony's NEX-5, the GF2 is really a comfortable "compact" size for those of us who choose a bit more heft to our cameras.It also feels a little more balanced when designed with an extended lens.

Among the sparse features atop the digital camera are a decent stereo microphone, albeit one that lacks separation, a dedicated video record button, and quick-access button for intelligent auto mode. Though I'm abig fan of the dedicated video record buttons, I don't just like the feel of this one; it's flush with the top surface and a bit hard to find simply by feel.

Just like the GH2, I really like the way Panasonic has integrated a pair of direct-access controls with the  mode, white balance, and drive mode. Panasonic doesn't make you scroll through the menus via the touchscreen display, a brilliant move, since that usually takes a level of precision for which these small displays are unsuited. It can help how the LCD feels quite responsive, bright, and relatively easy to view in direct sunlight.

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Panasonic Lumix DMC-GF2 12 MP Micro Four-Thirds Interchangeable Lens Digital Camera with 3.0-Inch Touch-Screen LCD and 14mm f/2.5 G Aspherical Lens (Black)